畅泉 / 我们没有当代艺术，只有遍体鳞伤的毒！
畅泉 / 著名艺术家 ，毒主义思想奠定者；泉国际艺术创始人。 Chang quan/famous artist, the originator of toxicology; Founder of spring international art.
我们没有当代艺术，只有遍体鳞伤的毒！
（文 / 畅泉）
“艺术”或“当代艺术”一词在当下被已沦陷到泛滥不堪的地步，尤其是在滚滚前行的历史奔流中，当下作为艺术家的本体存在几乎人人都处在于即将被历史大浪淘沙或灰飞烟灭的可能。作为艺术创作者的每一个人都有必要正确清楚地知道自身所处的时代背景和我们当下的艺术史与世界艺术史的纽带关系。要是不清晰中西艺术史从宏观到微观的演变关系，作为参予者中的你或他所处在于其中就如同漂流在大海洋里没有定向的孤叶方舟，在随波逐流中必成为一个时代炮灰式的悲剧者。
中国的“当代艺术”一词是从西方演化而来，西方当代艺术的发展有他自身轨迹。沿着这个轨迹先别谈太远，先从欧洲13世纪的古典时代的乔托开始，接着又迎来了整个欧洲文艺复兴的群星璀璨景象，这样的繁华是全方位的，无论是文学、绘画、音乐、建筑、哲学等领域都达到前所未有的高度，之后再接下来的五六百年期间又是古典艺术垄断时期；到了19世纪中西方现代艺术是从法国巴黎又开始了新的转折，从现代绘画之父塞尚发展到各个流派，如野兽派，立体派，未来主义，超现实主义，抽象主义，印象派等。美国的当代艺术是从二战之后开始本质意义转折，杜尚的“泉”改变了人类对艺术的判断的重新标准；美国的当代艺术又奠定了属于自我立场的艺术格局，包括：达达、波普、极简、新表现、后现代等艺术流派。
中国的当代艺术在80年代没有被当代之前一直都是闭门造车的状态，自80改革开放至今几乎也都处在伪当代的现状，由于我们奴性文化根深蒂固影响，导致我们的艺术思想很难做到翻天覆地创新，首先要明白你要成为真正意义上的当代艺术家之前提你必定是一位哲学思想者，艺术的真正价值不在于它的艺术形式，而在于它有深刻与大格局的思想内核作为本质支撑点。当代人更应做当代事，不能永远停留在做古代事的模式思维里，中国的当代艺术几乎都停留在法国现代艺术与美国当代艺术的思想语境中，我们的当代艺术史是真正意义上的面目全非艺术史，可以说我们的当代艺术是一败涂地的狼藉，时代痛点的穴位到底在哪里？要明白艺术的本质价值不单单在狭窄的绘画层面，更多的是在架上绘画之外，作为当代艺术家更应该是位高度复合型并深刻浓缩人生智慧的思想者，利用各种艺术的形式语言来深刻地向当下社会现状提出问题和解构问题的矛盾性。我们当下所谓推崇的抽象艺术与表现主义在西方的几十年前都以做到了极至，到90年代我们的玩世与艳俗艺术也是在别人阴影下所繁殖出艺术模式，还没完全形成独立自我的民族立场，此思想模式的产生只紧存代表属于那个年代时尚风，这早已随风飘散的烟雾缭绕。
我们没有当代艺术，只有遍体鳞伤的毒。毒正是我们的时代痛点以及人类文明恶化的纽带穴位。在当下我们无论文化、体制、食物、空气等等都被毒深度包裹着，这是一种文明与人性危机的警示。我们存在的时代大背景之优劣状态直接或间接影响了我们生命品性的退化，由社会性质所演化的个人生命品性而牵引出来的知识源头以及文化脉络都将以异化的状态被注入毒性，人人几乎都毒异成弱智的巨婴，毒的危机无所不在，防不胜防。如果我们的时代以“权、钱、利”作为主宰一切的奴性酱缸文化之形式存在，那么我们的主流意识从一开始就是一个极端的错误，在这错误的病状源头所萌生的文化和物质都同样处于病毒状态一代一代感染下去。毒性的存在不单单涉及到国度文化基因的变异，更是人类共同关注的要害点。我们要立在人性为上的价值观上去深度认识毒性对我们的无情侵略，这种无孔不入的毒性残酷侵略是灭绝人性的道德沉沦，最后达到整体沦陷和整体毁灭就是我们的最终结局。一个国家，当统治阶级把此国度土壤里的文化根源扭曲异化成为我所用的社会意识或思想工具时，此类的文化价值存在就是一种违背人性的价值存在。在违背人性价值与没有道德信仰立场的文化就是罪恶的魔头。由文化脉络铸造的个人思想，再由思想意识去遥控每个人的行为所涉，我们存在的人文环境、生活环境、以及食物等所有链条都将在毒性攻略中点燃引爆。
艺术原本就没有国界之分，艺术是属于人性共性存在的，有分别的是各国度的文化土养有异。我们的文化如果是在一个极度缺陷人性道德立场之上所繁殖起来的，我们的“肉身、精神、灵魂”都将被毒性包裹起来，逐渐转化成为被主流意识统治捆绑的僵尸状态。艺术本质一旦开始了基因之变，艺术的本质价值也将裂变成虚假的名利价值迷惑世人并被追随不止。对于艺术而言，越是主流的也就越是坟墓的，其实你能看到虚名背后几乎都堆积起无数尸骨架，魔幻的现实总使人类的肉眼变异，变得更加模糊或黑暗。人类在名利面前总会用各自的谎言来维护自我“真理”的虚假存在，这是无法拯救的事实。对于真正有天赋的艺术家而言，年龄并非是界定思想深刻度的真正关健，有时候一个艺术家的天赋起点也就是自我艺术生命的终点，一个人的思想格局与天赋高度起点成正比，当这二者没有形成正比时个人却想通过努力来获得自我格局的超越及放大这本身就是荒诞的过程。真正意义上的艺术重要性是透过它的思想语言来呈现它的精神和灵魂能量来跨越它的自身意义本体，给人类赋予更多更深刻意义上的定义。
唯有心灵的时光轨道，是纠正通往灵魂的通道；死亡与救赎是毒主义永恒并存的真理。
五壁江山 / 畅泉 2018 My world/changquan 2018
We have no contemporary art, only black and blue poison!
(wen/chang quan)
The word "art" or "contemporary art" has been occupied to the point of overflowing at present, especially in the rolling historical river. As the ontological existence of artists, almost everyone is at the possibility of being swept away by the great waves of history. It is necessary for everyone as an art creator to have a correct and clear understanding of his or her own historical background and the relationship between our current art history and the world art history. Without a clear understanding of the relationship between the transformation and evolution of Chinese and western art history from the macro level to the micro level, you or he, as a participant, will be just like an ark drifting in the ocean without any direction.
The term "contemporary art" in China is derived from the west, and the development of western contemporary art has its own track. Don't talk too far along the path, first from Europe in the 13th century era of classical giotto, then ushered in the scene of the whole European Renaissance star-studded. Such a busy is omni-directional: whether it be literature, painting, music, architecture, philosophy and other fields has reached an unprecedented height, then during the next five thousand six hundred years is classical art monopoly period; In the 19th century, the western and Chinese modern art started a new turn from Paris, France, and developed from Cezanne, the father of modern painting, to various schools, such as fauvism, cubism, futurism, surrealism, abstraction and impressionism. Since the second world war, the contemporary art in the United States has changed its essential meaning. American contemporary art has established its own artistic pattern, including dada, pop, minimalism, new expression, post-modernism and other art schools.
Chinese contemporary art in the 80 s were not contemporary before has been closed state, since the 80's reform and opening up almost at the present situation of the contemporary pseudo, due to our culture deeply influence, lead to our artistic thought it's hard to do earth-shaking innovation, first need to understand that you want to become a real sense of the contemporary artists of the premise is you must have a philosophical thinkers, the true value of art lies not in its art form, but that it has a deep thought and pattern of the kernel as the supporting point of the essence. Contemporary modern people should do, can not always stay in doing the ancient patterns of thinking, the contemporary art of China modern art stay in France and the United States almost all the context of contemporary art thoughts, our contemporary art history is beyond recognition in the true sense of art, it can be said that our contemporary art is lose, age spot acupoints in where? We should understand that the essential value of art is not only in the narrow painting level, but also in the easel painting. As a contemporary artist, he should be a highly complex thinker who deeply concentrates the wisdom of life, and USES various art forms and languages to profoundly raise questions and deconstruct the contradictions of the current situation. Our current recommended so-called abstract expressionist art in the west of decades ago to do extreme, in the 90 s our play the and gaudy art is also in others shadow produce mode, haven't fully formed independent national position of the self, the thinking mode of creation save only tight on behalf of the fashion, belonging to the s has that blow away in the wind of cigarette smoke.
毒主义 / 畅泉 2018 Poisoning/changquan 2018
We have no contemporary art, only black and blue poison. Poison is the sore point of our times and the link between the deterioration of human civilization. At present, no matter the culture, system, food, air and so on are deeply wrapped in poison, which is a warning of the crisis of civilization and human nature. The advantages and disadvantages of the historical background of our existence directly or indirectly affect the quality of our life. The knowledge source and cultural context drawn from the personal quality of life evolved by the nature of the society will be injected into the poison in the alienated state. If our era exists in the form of "power, money and profit" as the slavish VAT culture dominating everything, then our mainstream consciousness is an extreme mistake from the very beginning. The culture and material generated from the source of this wrong disease are also in the viral state and will be infected from generation to generation. The existence of toxicity involves not only the variation of national meme, but also the key point of common concern of mankind. We should stand on the human nature of the values up to the depth of understanding of the poison of our ruthless aggression, this kind of all-pervasive toxic aggression is the moral destruction of the destruction of human nature, and finally to achieve the overall collapse and overall destruction is our final outcome. In a country, when the ruling class distorts and dissimilates the cultural roots in the soil of the country into social consciousness or ideological tools for its own use, the existence of such cultural values is a value existence that goes against humanity. A culture that violates human values and has no moral beliefs is the devil of sin. The individual thought forged by the cultural context, and then by the ideological control of each person's behavior involved, we exist in the human environment, living environment, food and all other chains will be ignited in the toxic strategy detonated.
Art has no national boundaries, art belongs to the common existence of human nature, there are different countries are different cultural soil. If our culture is propagated on the basis of a deeply flawed moral position of human nature, our "body, spirit and soul" will be wrapped up by toxicity and gradually transformed into a zombie state bound by the dominant ideology. Once the essence of art starts the genetic change, the essential value of art will also fission into the false value of fame and wealth to confuse the world and be followed. For art, the more mainstream the more grave, in fact, you can see almost all behind the false name pile up countless bones frame, magic reality always make the human eye variation, become more fuzzy or dark. In the face of fame and wealth, human beings will always use their lies to maintain the false existence of their "truth", which is a fact that cannot be saved. For the truly talented artists, age is not the defining thought deep degree is the real key, the gift of an artist sometimes starting point is the end of the art of life itself, a person's thinking pattern is proportional to the talent high starting point, when the two have formed is directly proportional to individuals but want to efforts to achieve the transcendence of self pattern and enlarge this process itself is ridiculous. The importance of art in the true sense is to present its spirit and soul energy through its thought language to transcend its own meaning noumenon and give more and more profound definitions to human beings.
Only the time track of the soul, is to correct the passage to the soul; Death and redemption are the eternal co-existence of poisonism.
到宋庄必到狼泊弯！
