皺紋—茗土景觀筆記
皺紋（序）
皺紋—茗土景觀筆記
（序）
作者：何强
夜深人靜,讀幾頁書,喝幾口清茶,臨窗細思:
將半生做出的景觀過眼,有幾處能賦予生命?當樹木花草,小溪石山因季節,陰晴,日夜…而變化時人在其間是否步移景異,讀出些許詩意?當走出辦公室,步出住宅樓的壓抑,是否能在藍天白雲下,夕陽燃赤或華燈初放時,享受到高質量的生命默契?風吹葉顫,落英喃呢,雨打芭蕉時,我們是否能觸及大自然的呼吸?
我愛景觀,愛詩歌,愛音樂,愛攝影,愛田野,愛山村…其實是自然教給了我景觀之魂.盡管做的平凡,但不乏追求,懂的壹個優秀的景觀工程師”功夫在詩外”.
夜靜助我思,助我遐想:真的,我對權力,金錢不感興趣,盡管現在是市場經濟.當然,也可能是無緣或夠不著.然壹個人光有錢,有至高無上的權力,沒有豐富的思想,細膩和深層次的詩意般的感情,又何來高質量的生命.
做了壹生景觀,也許只能做景觀.但對生命的美好,對景觀哲學,美學思考不能隨想隨丟,故而積下胡思亂想的<皺紋—茗土景觀筆記>
Wrinkles(sequence)
Wrinkles,nameplates, soil landscape notes
(sequence)
Theauthor: HeQiang
Night,read a few pages of a book, drink a few mouth, green tea, the window andconsider:
Willbe made half of landscape, there are several can give life? When the flowersand plants trees, stone mountain stream due to season, weather, day andnight... And changes in the meantime whether people, step read some poetry?When out of the office, stepped out of residential distress, can under the bluesky white clouds, the sunset red or when the lights are lit, enjoy the highquality of life the tacit understanding? Wind leaf quiver, tree lost itswhispers, banana rain, whether we can hit the breath of nature?
Ilove, love poems, love music, love photography, love field, mountain village...In fact is the soul of a natural taught me landscape. Although ordinary, butthere is no lack of pursuit, one good landscape engineer "kung fu"outside the poem.
Nightstill help me, help me reverie: really, I for power, not interested in money,though it is the market economy. Of course, also may be no or not enough. Butone personal money, has the supreme power, no rich thoughts, exquisite andprofound poetic feelings, and no quality of life.
Doone landscape, maybe can only make landscape. But for the goodness of life, oflandscape philosophy, aesthetics thinking not random thoughts with the lost, sothinking under the product notes > < wrinkles, nameplates, soil landscape
皺紋（壹）
皺紋—茗土景觀筆記
（壹）
作者：何强
記得84年在美國進修,我最欣賞的是美國鄉村別墅門前的幾棵大樹,滿地秋葉在夕陽下緩緩顫動,金輝閃爍,美不勝收.幾位老師的家都依樹而建,參天大樹隱匿著木屋真是天人合壹的享受.
回來後我成了大樹的崇拜者,不是多情而是無法忍受我們的地産商爲了提高房子賣點,無情地把山鄉的大樹殘忍的挖來,幾十年,上百年的老樹壹夜之間只剩殘枝樹樁.面對這滿目蒼勁,淒清和蕭瑟美的極致,這非常人可悟,而是要愛心.
幹著這份戴著鐐铐跳舞的營生,不太願說自已是創造美的景觀工程師,而說自已是個種樹的.從此壹門心事把大樹種好.既然不得已而爲之,只能盡全力不讓經我手種下的大樹輕易死去.因爲要壹棵樹活不易,而壹個小小的失誤將可能使99%的努力瞬間歸零.所以我不能.甯可做個稱職的種樹人而不去標榜成創造美的高人.
常常在壹株枯死的老樹下駐目,無言,如同面對今日地震廢墟,無法喘息.我總覺得觸犯了神靈.枯藤老樹經曆了漫長歲月,風風雨雨,相伴天地.可在我們手下強行挖出,斬頭去葉…每每看著聽著大樹的慘狀或呻吟.因觸景生情,情生思,所以我哭,不流淚,是心淚.真的聽懂”枯藤,老樹,昏鴉”是壹門學問.
大樹的確爲城市景觀添色,不可或缺.可讓老樹背井離鄉,讓故土的淒涼換取新地的榮光,這不公平.如同我們把可愛的百靈鳥關在籠子裏當寵物,這太不人性!這是我至今不養寵物甚至放棄忠愛過的盆景(不堪忍讀殘忍去扭曲植物)的起因.
我們的地産在扭曲,我們的景觀在錯位.我們常常說得比唱得還好聽,結果呢?人與人,人與自然的關系都有病而且病得不輕.這應該與大樹無關,但大樹也是犧牲品.
面對地震廢墟,面對苦藤老樹,人類的忏悔很差.
我只能在路上(On the way),做壹個種樹人:讓我的手下多活幾棵老樹,足亦!
Wrinkles(one)
Wrinkles,nameplates, soil landscape notes
(1)
Theauthor: HeQiang
Rememberto pursue advanced study in the United States in 84, I appreciate most is theseveral big tree in front of the American country villa, autumn leaves on theground gently vibrate under the setting sun, flashing, jinhui. Several teachershome are built in accordance with the tree, great trees hid the cabin is theenjoyment of nature and man in one.
Comeback after I became a fan of big, mature trees, is not sentimental but can'tstand our developers in order to improve the house selling point, relentlesslyto dig to shan tree cruel, decades, hundreds of years old tree between onenight only residual stump. Facing this with vigorous, mournful and bleak beautyacme, the very people can be enlightened, but to love.
Dothis dance wearing a chain business, don't want to say from already is tocreate beautiful landscape engineer, and said himself is a tree. From now onone door worry the big tree. Since it is forced to can only do our best not tolet the my hand planted trees die easily. Because to live is not easy, one treeand one small mistake could make 99% effort to zero moment. So I can't.Producing can do a competent forester instead of as a master of having createdbeauty.
Oftenon this dead old tree XiaZhu, speechless, as in the face of the earthquakeruins today, can't breath. I always feel offended the gods. Dry vine old treehas experienced long years, ups and downs, accompanied by the heavens and theearth. Can be forced to dig, under our beheaded to leaf... Listening to thetree every time I look at the horror or moan. Because want, gratitude, so Icry, no tears, and the heart is tears. Really understand "dry vine, oldtrees, faint crow" is one subject.
Treesto add color for the urban landscape, indeed indispensable. Can let old treesuprooted, make the land desolate in exchange for the glory of the new land,it's not fair. As we put the lovely lark in a cage as a pet, it's not humannature! This is I still don't have pets even give up loyal love bonsai plants(not endure cruel to distort) causes.
Ourreal estate in the distortion, our landscape in dislocation. We often said thansinging is good, and the results? From person to person, the relationshipbetween human and nature are sick and sick. This should have nothing to do withthe tree, but the tree is also a victim.
Inthe face of the earthquake ruins, in the face of bitter vines old trees, humanconfession is very poor.
Ican only (On the way), On the way to do this a forester: let my men live moreold tree, foot also!
皺紋（二）
皺紋—茗土景觀筆記
（二）
作者：何强
老板壹道指令:八期景觀提前壹個月完工,不許解釋,我要提前交房.全亂了,排好的施工計劃,苗木到場時間…壹切從瞬間變的從有序到無序,壹切需要我立即把無序組織到有序.
不解釋,因爲做地産景觀本身就是壹個伺服的角色,並不要固守我的理念:優秀的景觀應該是壹個有神靈守護的山林,壹樹壹花,皆有精神,人居其中,心在自然,生活……
于是,別無選擇.來什麽樹種什麽樹;無力細究苗木來源,好壞;每個深夜在疲憊不堪中植下的每壹株大樹也無力去深究立地朝向位置,總之偏離了最佳狀態…然心不死,還是竭盡全力時刻關注景觀與建築情境相匹配.盡可能把到場的壹批批樹排個高矮胖瘦,相樹排陣,把建築和景觀的相融關系調到最佳,以表達每壹棵樹的獨立邏輯和特殊魅力.
到了例行巡檢,老板又壹道指令:樓下種那麽多大樹幹嗎?答曰:設計上高層建築的強硬需要大樹的柔化;再則,下層小喬木,灌木也需大樹拉開層次,增加美感.不要解釋,拔掉.這就是老板!
執行,立即執行,我無法抗拒.樹移走了,牆面暴露無遺,景觀立刻失衡.我立在這醜陋的角落,久久無法離去.這不是我要的.無數次飽嘗這種有心無力的ED,導致景觀失衡.面對自己親曆親爲的景觀,又多了壹份汗顔的履痕.
原本壹處住宅小區的綠化景觀,建築符號和景觀符號系統是相融的統壹,就象壹對兩情相悅的夫妻,共同撐開壹處獨特的生活領地.然強權強奸了創造,戴著鐐铐跳舞的舞者,只能壹世平庸心淚.
做壹個中國的景觀工程師,服務地産,不是不敬業,是敬不了業.沒有時間敬業,沒有權力敬業.工期總是那麽緊,壹期壓壹期;老板總是那麽橫,壹個又壹個……
我只是壹個有想法的種樹人,哪裏是我馳騁的土地?總想”慢工出細活”(這太不實際),做壹兩處,那怕壹兩個局部的精品.可永遠沒時間,永遠沒機會.只能以殘缺的作品,懷揣壹生的遺憾,壹件件做下去.
千萬裏,我追尋過妳……
(2) thewrinkles
Wrinkles,nameplates, soil landscape notes
(2)
Theauthor: HeQiang
The bossone instruction: eight landscape completed one months in advance, noexplanation, I'm making a room in advance. All messed up, good constructionplan, nursery stock present time... One cut from an instant from order todisorder, one needs I immediately organize disorderly to orderly.
Donot explain, because real estate is in itself a servo, the role of thelandscape is not to stick to my idea: excellent landscape should be a have agods protect the trees, one tree, one flower, there is spirit, and living amongthem, the heart is in the nature, life...
So,have no other choice. To what what tree species; Unable to scrutinize seedlingsource, good or bad; Every night in the exhausted every one tree planted isweak to study site towards location, overall deviation from the best... Heartdies, or go to great lengths to focus on the landscape and architecturesituation match. As far as possible to present one swarms tree row height orsize, phase tree to manage, adjusted the harmony relationship betweenarchitecture and landscape to the best, to express every one tree independentlogic and special charm.
Theroutine inspection, the boss again this way instruction: downstairs kind of somany trees? Answer: design of high-rise building strong need trees diffusion;Moreover, the small trees, shrubs, also need to the tree away level, increasethe aesthetic feeling. Don't explain, pulled out. This is the boss!
Execution,executed immediately, I can't resist. Trees removed, metope is exposed,landscape immediately. I stand in the corner of the ugly, long time not toleave. This is not what I want. Countless times through this half-heartedly ED,lead to landscape imbalance. In the face of his sleeves for landscape, morecopies of his tale of footprint.
Originallyone in residential area landscape, architecture and landscape system of signsis harmony series one, as one of the two feelings mutually yue, couples jointlyopen one distinctive life domain. But the powers raped creation, wearing chainsdancers dancing, only the average heart tears.
Dohave a landscape engineer of China, real estate service, not professional, isnot respect. And don't have the time dedication, no power dedicated. Time isalways so tight, one stage pressure one stage; The boss is always so cross, onea and one a...
I'mjust a forester in idea, the land where I run? Always wants to "fire makessweet malt" (this is not practical), do one or two, the fear of one of thetwo local boutique. But always have no time, no chance forever. Only inincomplete work, with one regret, one both doing it.
Thousandsof miles, I follow you...
皺紋（三）
皺紋—茗土景觀筆記
（三）
作者：何强
夏夜的陣雨,悶熱煩躁.我放下書,聽窗外浙浙瀝瀝地雨聲,思索著,聽不到看不到的景之道.
子曰:“道不遠人”.
關于景觀,我們知道多少?
沒有標准答案.因爲誰也沒有見過“景觀”.只有小橋流水;疊水噴泉;亭廊台閣;綠樹繁花…這就是景觀.
大樹迎風;水流直下;飛沫沖天;萬紫千紅;雲牆曲路;拱橋荷塘;“枯藤,老樹,昏鴉…”;“雨打芭蕉”…那只是景觀的元素和動作,不是景觀本身,更不是景觀的本質誰也無法看到景觀本身和本質.
我識景觀,努力以智而識.
在工地,我壹站就是幾個小時,“俯而讀,仰而思”.
常常從兩株大樹的框景去看遠處的景,會使人感到無限的深遠,“曆曆遠峰…”…
拿掉這棵樹行嗎?我常常這樣在現場問同事,問自己.壹只無形的手在安排壹切,安排美與醜,善與惡…
“吾師心,心師目,目師華山”.
我們在用景觀符號,拓展人們的感情.但詩情的燃燒需要“場”,需要對象.要有識讀景觀符號的人來合作.跟睹徒談理想,跟酒鬼敘茶香…
貝多芬,莫紮特,肖邦的音樂感天地,涕鬼神;他們用音符震顫人的感情,但前提是:聽衆要聽得懂他們的音樂語言.
石頭的不同紋理,色彩,質地,外形;不同的置式(水景駁岸,綠地點石,假山,汀步…),會在人的心中喚起不同的情緒,思緒,感情…
山間的小溪,瀑布,飽含蒼桑,對人的感情沖擊力很大.因爲古山水閱曆世途;別墅間的人造山水太嫩,壹張白紙,沒有經曆,沒有故事…
識讀壹棵百年老樹的故事,其實是在打開壹頁曆史.我會站在樹蔭下,企圖從中讀出“情”和“理”;從中我企圖讀出曆史的秘密.如果是株剛栽下的幼樹,且還綁著支撐,那麽便無曆史.
其實,壹株百年老樹之所以能沖擊人的視覺,是因爲它身上有“天地之靈氣”.
靈氣越多,詩意越濃,越美,深沈的美.如果遇上夕陽西下,風清氣爽,這樹便有了靈氣,有壹種含情能達,會景生心的妙處…
壹切藝術作品的最大功能都在創造,拓展人類的感情和思想.
小橋流水,簡樸無華.人創造了橋,創造了橋的感情.曲橋,拱橋,廊橋,斜橋…激起人們更細膩的感情.當然還有斷橋,野橋,獨木橋,鐵索橋…有引出多少故事.詩意更濃,感情層次更深,生命質量更高…
今天的住宅小區,夜夜歌舞升平,也許再也聽不到“雨打芭蕉”的韻味;再也無法體味“踏雪尋梅”的意境…
對月品茗,“景觀”撩撥起我難奈的思緒…
(3) thewrinkles
Wrinkles,nameplates, soil landscape notes
(3)
Theauthor: HeQiang
Shower,hot summer night. I put down the book, listen to zhejiang to drizzling rainoutside the window, thinking, hear to see scene.
Confuciussaid: "people" not far away.
Aboutthe landscape, we know how many?
Thereis no standard answer. Because no one had seen "landscape". Only thesmall bridge flowing water; Fold the water fountain; Ting corridor leaves;Green trees and flowers... This is the landscape.
Thetree the wind; Water straight down; They are going up into the sky; In boom.Cloud wall curved road; The arch lotus pond; "Dry vine, old tree faintcrow..." ; "Banana" rain... That's just the landscape elementsand action, not the landscape itself, nor the nature of the landscape no onecan see the landscape and nature itself.
Iknow the landscape, to wisdom and knowledge.
Inbuilding site, I stand for hours, "and read, and lifted up andthought".
Oftenfrom two tree box to see the distant scene scene, can make the person feelinfinite profound, "seems far peak..." ...
Takeoff the tree? I often ask a colleague at the scene, so ask yourself. Oneinvisible hand in arranging one cut, arrangement of beauty and ugliness, goodand evil...
"Myteacher heart, heart mesh, mesh ShiHuaShan".
Wewere using the landscape symbol, expand people's feelings. But the burning needto "field" poetry, need object. Should have read the landscapesymbols to cooperation. Talk to see and ideal, and drunk tea chat...
Beethoven,Mozart, Chopin's music world, cried spirits; They use notes shake people'sfeelings, but the premise is: the audience to understand their music language.
Stonesof different texture, color, texture, shape; Different housing (waterscaperevetment, green stone, rockery, dean step...). Will, in the minds of people evokedifferent emotions, thoughts and feelings...
Themountain streams, waterfalls, with age, to the person's emotional impact isvery large. Because of the way ancient landscape experience; Artificiallandscape between the villa is too soft, one piece of white paper, noexperience, no story...
Readthe story of this century-old tree, is actually open the pages of history. I'llbe standing in the shade, attempt to draw from "love" and"reason"; I tried to read the history of the secret. If it's justplanted sapling, and tied with support, so it has no history.
Infact, this century-old tree can impact people's vision, because it has"nimbus of heaven and earth".
Aura,the more poetic thick, more beautiful, the beauty of the deep. If in thesetting sun, the wind qing qi shuang, this tree has the aura, will have onekind of looks can reach, JingSheng the beauty of the heart...
Onecut the biggest function of art in the creation and expansion of human feelingsand thoughts.
Bridges,simple without China. People create bridge, to create the relationship of thebridge. Zigzag bridge, arch bridge, covered Bridges, oblique bridge... Provokemore exquisite feelings. Of course, the broken bridge, bridge, the chainbridge... Have lead to many stories. Poetry is more thick, feelings deeper,higher quality of life...
Today'sresidential district, and night crowing, may never hear "banana" rainlasting appeal. Can't appreciate "artistic conception for mei"through the snow...
Totea to the moon, "landscape" provoking me difficult nai mind...
