【Vicky’s 影评 】《镰仓物语》: 你会为了爱的人勇赴黄泉

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周末杭州下了特别大的雨🌧️本来想出门去扫街拍点照片写文，这样有了窝在家里不用洗头梳妆打扮的理由啦😂这样的午后，很适合打开看一部暖心的片子，突然想起前不久看到一部被称为日本版《捉妖记》和《神奇动物去哪儿》的电影🎬

本片是由堺雅人主演的，什么？你不知道雅人叔是谁？赶紧去看看《Legal High》和《半泽直树》！！！女主角则是由最近传出喜讯的高畑充希饰演。老夫少妻的搭配，温暖和欢笑交织。这部电影的评论喜忧参半，褒奖的大多集中在立意和场景设置上，批评的主要是指剧情过于拖沓。

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剧情梗概

一色正和出生在阴阳交界的镰仓，是个不太卖座的推理作家，同时也是警方的侦探顾问。他从小就怀疑自己是否是私生子，所以即使面对来自女性的频频示爱，他也始终抱有独身主义的念头。而这一切，在面对来取稿件比自己小十几岁的编辑亚纪子的时候，改变了。

两人迅速坠入爱河并在婚后回到镰仓定居，过着一房两人三餐四季的生活，有一位上百岁但身体依然健朗的婆婆照顾生活起居。本以为日子就这么温馨过下去，但亚纪子其实早早就被冥界的天头鬼盯上。

他先是诱骗这对小夫妻吃下人类食用后会灵魂出窍的毒蘑菇，后又在亚纪子赶去找正和的时候，绊倒她让她灵魂出窍，并偷走了她的身体。亚纪子成了没有身体的幽灵，不想丈夫为了救自己而损耗自己的阳寿，在留下一封充满爱意的书信后她主动跟着死神踏上黄泉之路。

而一直有现实逃避倾向的丈夫终于不再退缩，毅然决然搭乘开往黄泉的江之电，要将妻子带回人世间。

剧情拖沓？并不是！

在写这篇影评的时候，我翻看豆瓣评论发现有很多留言写着：前面的剧情太拖沓，好多都毫无意义，高潮来得太迟。

我不否认很多时候我也比较喜欢快速切入主题的电影，而前面铺陈太久冗长的电影大多会让我昏昏欲睡，比如《牯岭街少年杀人事件》这部电影我分成好多次看，最后还是未能看下来。但是，《镰仓物语》剧情并不拖沓，无论是妖精集市、贫穷神入住都不是无意义的设置。并且，一色正和和亚纪子的感情一点点加深，也为入黄泉救妻做好了铺垫。

我记得之前看过关于「延迟满足」的定义，用直白的话来说就是把好吃的东西留到最后，而不是立即食用。我觉得一部好电影就是对人们延迟满足的考验，随着剧情的推进，你会发现之前安排的人物埋下的伏笔，最终都有在结局的时候体现。

眼花缭乱的场景

每日凌晨，引领着逝去的魂灵们穿梭于镰仓和黄泉冥界的之间的单程列车🚄——江之电，着实让人印象深刻。当电车行驶在空中铁轨的画面出现时，人们很容易想到《千与千寻》。

这里讲的江之电，其实就是我们知道的《灌篮高手》里面片尾曲呈现的经典画面，也是去江之岛旅行的必去景点。看着这绿皮火车慢慢晃过去，就知道这是一个慢节奏的城市。

这个故事中的黄泉，也全然不是我们印象中阴曹地府的可怕模样。用影片中的话来说，这里更像新的一段人生开始的地方。黄泉的模样是由当事人的心中所想而呈现的，所以一千个人很可能就有一千个黄泉的样子。

每到江之电运送新的往生者到来，先前去世了的亲朋好友都会来车站迎接。如果死后的时间之如此这般，是不是会减少一些我们对死亡的恐惧呢？

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English Version

It rained heavily in Hangzhou this weekend. I planed to go out and take some pictures to write posts. Because of the rainstorm, I had a reason to stay at home. It was a perfect afternoon to watch a heart-warming movie, and I suddenly remembered a movie called Destiny: Kamakura Monogatari, which regarded as the Japanese version of Monster Hunt and Fantastic Beasts and Where to Find Them.

The Plot Synopsis

Kazakura, who was born in Kamakura, is an unsuccessful mystery writer and police detective consultant. When he was a little boy, he doubted that whether he was an illegitimate child. As a result, though he is popular with women, he still harboured the idea of celibacy. All changed when he in the face of the editor, Yakoko, who was more than a decade younger than him.

The couple quickly fell in love and settled back in Kamakura after they got married. They lived with an old woman, who was already hundred years old, and she was in a good body condition. I thought the days would go on like this, but Yakoko has be targeted by the monster of the underworld.

He first tricked the couple into eating the poisonous mushrooms that would break out of their souls after humans ate them. Later, when Yakoko on her way to find Kazakura, she was tripped and the monster stole her body. Yakoko became a spirit, and she did not want her husband to lose his life to save her. After leaving a letter, she initiatively followed the death on the road to the netherworld.

However, the husband who has always had the tendency to escape from reality finally stopped shrinking away and decided to take his wife back to the world.

The film's hero is Masato Sakai, and the heroine is Mitsuki Takahata, who recently declared that she would get married. The film's reviews have been mixed. The positive comments focused on intent and scene setting, while the negative comments mainly about the indecisive and sloppy of the plot.

Dilatory Plot? NO!!

When I wrote this film review, I read the comments of Douan Film and found that there were many comments that said: the previous story was too long, many of them were meaningless, and the climax came too late.

I don't deny that I like movies with high speed, and movies described at great length will make me sleepy, like A Brighter Summer Day. However, the story of Kamakura Monogatari is not dilatory. Neither the Goblins Market nor the Impoverished God living with them is meaningless. In addition, the increasing love between Kazakura and Yakoko foreshadowing the later story.

I remembered that once I read about the definition of Delayed Gratification, which means leaving something delicious for the last time, rather than eating it immediately. I think that a good movie is a test of people's delayed gratification. As the plot progresses, you will find the foreshadows of the characters previously arranged, which will be reflected in the end.

The Dazzling Scene

The one-way tram that leads the spirits between Kamakura and the underworld every morning is truly impressive. It's easy to think of A Voyage of Chihiro when the tram is moving on overhead tracks.

The Enoshima Dentetsusen we are talking about appears in the classic scene of the ending song in the Slam Dunk, which is also a must-see scenic spot for a trip to the Island of Rriver.

The netherworld in this story is no longer the horrible appearance in our impression. In the film, it's more like a beginning of a new life. The appearance of the netherworld depends on the imagine in your mind. As a consequence, a thousand people are likely to have the appearance of a thousand netherworld.

Every time the Enoshima Dentetsusen delivered people to the netherworld, relatives and friends who have passed away before will greet them at the station. If we live in this way after we passed away, will it reduce our fear of death?

（to be continue）